Program Requirements

General Program Requirements:
Number of Credits Required Beyond the Baccalaureate: 60

Required Courses:

Core Courses
DANC 8806The Creative Process and the Dance Symbol3
DANC 8808Corporeal Improvisation2
DANC 8812Performance Environments I: Dance Production2
DANC 8861Dancing Self in Community3
DANC 8868Graduate Seminar3
DANC 8872Dance as a Way of Knowing3
DANC 9801Research Methods in Dance3
Graduate Dance Technique Courses 16
Critical Studies6
Select a combination of critical studies courses in consultation with the dance graduate advisor. Options include but are not limited to:
DANC 8859
Dancing the City
DANC 8867
Educational Inquiry in Dance
DANC 8873
Concepts of Culture
DANC 9852
Dancing the Popular
Performance/Creative Studies17
Select a combination of performance and creative practice courses in consultation with the dance graduate advisor. Options include but are not limited to:
DANC 8847
Choreographing Philadelphia
DANC 8848
Modal Practice, Structure and Performance
DANC 8849
Studio Research
DANC 8862
Embodied Craft
DANC 8866
The Body Politic
Electives6
Outside of Dance department
Master’s Concert
DANC 9984Master's Concert in Dance6
Total Credit Hours60
1

Select from techniques courses including but not limited to: DANC 8801, DANC 8821, DANC 8822, DANC 8823, DANC 8824, DANC 8825, DANC 8826, DANC 8827, DANC 8828, DANC 8829, DANC 8832, DANC 8833, DANC 8834 DANC 8836, DANC 8837, and DANC 8838. See the dance graduate director for more information.

Culminating Events:
Master's Thesis Concert:
The Master's Concert is a seven-credit exercise developed over three terms, and culminating in a publicly produced presentation of choreographic work. The Master's Concert generally consists of one major choreographic work designed to demonstrate the candidate's highest achievement of artistry, craft and thinking.

During the Spring term of the second year of full-time study, students identify a thesis advisor, conduct preliminary research, and prepare the thesis concert proposal. The proposal articulates the artistic and intellectual focus of the project, setting out the questions and challenges of the work that will be developed further in the final paper. After the culminating performance, the student submits a written thesis of 8,000 words that documents the choreographic research process and final product, but more crucially also explores the interaction of theory and practice that informs the work, presenting in-depth reflection on strengths, challenges, meanings and projections for future work.